From major Hollywood blockbusters to independent features, documentaries and many of the TV dramas on all leading networks, as well as countless commercials, the ARRI ALEXA has proved itself to be the camera of choice for even the most demanding filmmakers.

The numerous cinematographers opting to shoot with ALEXA have been receiving some of the industry’s highest accolades, including:

  • 2012 Oscar for Best Cinematography went to Robert Richardson, ASC, for HUGO, which he shot in 3D using ALEXA cameras supplied by Cameron Pace Group. The Academy also bestowed its award for Visual Effects on the film.
  • 2012 Emmy for Outstanding Cinematography on a Single Camera Series went to Jonathan Freeman, ASC, for BOARDWALK EMPIRE.
  • 2012 BAFTA for Outstanding Cinematography on a Miniseries or Movie went to Florian Hoffmeister for the BBC’s GREAT EXPECTATIONS.
  • And hot off the press: SKYFALL, DOWNTON ABBEY and SHERLOCK (all shot with ALEXA) have been nominated for the 2013 Producers Guild Awards.

Renowned for its unmatched and truly cinematic picture quality, film-like ease of operation and reliability, as well as the most straightforward postproduction, the ALEXA camera system has quickly become accepted by directors, cinematographers and producers as their “best friend on the set and in post.”

ARRI and Visual Impact will host an ALEXA masterclass on 21 January at Kustendorf 2013. The workshop will focus on anamorphic cinematography and will be specially tailored for Kusten-fans ready to embark on putting their dreams up on-screen with a bit of help from ALEXA.

For more info about ARRI and ALEXA please visit www.arri.com

For more info about Visual Impact Serbia please visit www.visuals.rs

Izvor: Kustendorf

Written by Nikola Stefanovic

I work as a digital colorist for movies, TV series, music videos and commercials.