Everything that is needed from artistic and technical knowledge in order to do the animation professionally and with teamwork sense. Lecture held by Kostadin Martić, co-founder of Spring Onion Studio and Animation Lead, in VFX Crater Training Center during CGA Warm-up . The video is really dynamic and worth watching!
Studio Ghibli has consistently created the most compelling animated films I have ever seen, in part due to their immersive realism. Despite the fantasy and magic, Ghibli’s films consistently feel tactile and realistic. In this video essay, we explore how Studio Ghibli consistently achieves immersive realism in their films.
Priča je smeštena u distopijsku budućnost, u nepoznatom gradu u kom zla ND korporacija teroriše grad, a devojka Aleks pokušava da ih sabotira izazivajući havariju u glavnoj elektrani.
Ekipa koja radila na spotu:
Dragan Jovanović – crtež, 3D modeling i animacija
Davor Sopić – scenario, montaža i režija
Vladan Djiri Vasiljević– animacija, 3D modeling, motion graphics i vizuelni efekti
Aleksandra Radovič – model
Spot je radjen u 3D i 2D tehnici, a korisceni programi su: 3D Max, Nuke, Adobe After Effects, Photoshop i Premiere.
Creative&Fullstop tim traži artistu sa solidnim poznavanjem After Effects-a ili 3d programa (poželjno C4D ili 3d Max) za rad od kuće. Link sa svojim radovima poslati na datu email adresu. Za sva dodatna pitanja javiti se telefonom.
Reel from my work on the second series of Mr Bean: The Animated Series at Tiger Aspect. The first series was hand drawn in the early 2000s, and this series (produced in 2014/15) matched the style of the first but used a digital vector workflow using the “Vectrinsic” Path system in CelAction 2D.
“In the video, I breakdown some of the compositing I did in the latest Game Cinematic Trailer for the game Rival Kingdom. I was the overall VFX Supervisor in this project made for Fire Without Smoke.
This is not a Tutorial per say, more like a tips & tricks video about advance CG compositing using Nuke. In this part 1, I go over the rebuilding of the CG shader using Nuke’s robust EXR pipeline.” – Hugo Guerra