VFX Supervisor Victor Perez explores the process of learning photorealistic compositing in Nuke, emphasising the importance of experimentation with nodes.
But, green screen is great tool, right? Not for one filmmaker.
Watch the story of why and how @MichaelPlescia tried to reinvent filmmaking, visual effects and co-found a company in order to make his feature film, The Mop Liberator, even a possibility. Continue reading