Devin by SpringOnion – breakdown

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Master Class Andrew Lowell-a – Fundamentals of FX in Production

Crater VFX Training Center, Film In Serbia i VFX Serbia vas sa zadovoljstvom pozivaju na otvoreni Master Class Andrew Lowell-a – Fundamentals of FX in Production.

Naglasak predavanja je na jedinstvenoj ulozi koju efekti imaju na filmu i u drugim oblastima: prikupljanju referenci za prirodne fenomene, proceduralizmu / low level metodologiji softvera i pokretu kroz simulaciju. Vizuelni efekti testirani kroz vreme na filmu biće upoređeni sa savremenim procesom rada i digitalnim FX postavkama, uz kratka objašnjenja. Poslednji deo predavanja je namenjen odgovorima na pitanja iz publike, sa ciljem što boljeg povezivanja publike sa iskustvom predavača u ovoj oblasti.



VREME: 17h, 60 minuta
DATUM: 11. novembar 2017.
LOKACIJA: Fakultet dramskih umetnosti u Beogradu, pozorišna scena Mata Milošević

Predavanje je na engleskom jeziku.

BESPLATNA REGISTRACIJA: https://goo.gl/VvRHYA
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Interview with Main Road|Post

 Main Road|Post is Moscow based a visual effects production studio. Studio produced visual effects for Attraction, Duelist, August. Eighth, Metro, Stalingrad, Wanted, Winter Olympic Sochi 2014 Opening, Ghost. Our interlocutors are: Arman Yahin – CEO, Mikhail Lesin – CTO, Andrey Maximov – Attraction VFX supervisor, Dmitry Kuznetsov – Attraction VFX supervisor.

 

Can you tell us more about Main Road|Post? 

Arman Yahin: Main Road Post began in 2006 as a team of six. Today we have about 60 artists and plan to expand significantly by the end of the year. Our team provides VFX for movies, mostly for the biggest Russian projects. Stalingrad was our breakthrough work, which made us prominent among the global VFX community. This year we have decided to change our management style and turn to Scrum, which made us separate the whole company into small, versatile teams. Continue reading

Interview with Andrew Lowell

Andrew Lowell is the Effects Technical Director (FX TD) and  lead instructor at school of visual effects “Lost Boy Studios”.   In his career he has worked in several countries, and major studios such as Rhythm and Hues, CIS Vancouver, Animal Logic, and Digital Domain. He is the author of book Simultaneous Music, Animation and Sound with Houdini and professor at fxphd. The reason for the interview is his upcoming visit to Belgrade in November, where he will lecture intensive course for Houdini.

Tell us about your beginnings? What did you study and how did you get your first assignment? What was instrumental in getting your current skillset and role? (education, interests, jobs…)

I’ve had a variety of roles and careers as well as multiple beginnings. If there was a defining start in my graphics career it would have been the process of, and becoming of an Autodesk Certified Trainer. The process was very rigorous and my evaluator Pia Maffei made it clear to me that I both had the talent to, as well as was expected to produce both top-notch work as well as deliver high quality instruction. From then I gained my first jobs at movie studios like Rhythm and Hues, and other factors propelled me as well such as writing a book on Houdini, and international movie studio work and seminars.

Was there something you were specifically interested to know about the the job / industry before you started working?

I was primarily interested in the possibilities of highly generative design. What this means is designing systems upfront, such as FX rigs, systems to generate natural phenomenon, or highly abstract visuals. Afterwards those systems could give possibilities through simulation that the designer never anticipated or would be too complex for a more traditional artist to accomplish. This interest and mentality naturally drew me to FX related work.

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